
The trash or scrapyard is probably the last place you would look for inspiration when trying to come up with a design for food or drink-related products. But apparently, the new Vite espresso maker from Alessi did just that. Designer Philippe Malouin used his Scrapyard Works process to develop the concept for this coffee maker, drawing inspiration from an unexpected item: the screw. In fact, this approach is completely unprecedented in the history of Alessi, making the Vite one of the most conceptually bold things the brand has released in years.
Vite literally means “screw” in Italian, and the coffee maker looks exactly like what it’s named after. It is apparently what caught Malouin’s attention as he sifted through metal fragments, pieces that could be brought to new life through recomposition and reinterpretation. What you get is a coffee maker with a distinct industrial feel that can still deliver one of the best cups of fresh espresso you can get from a stovetop brewer.
Designer: Philippe Malouin

London-based industrial designer Philippe Malouin is no stranger to turning bold concepts into beautifully functional objects. Born in Laval in 1982, he founded his studio in 2008 and has since built a reputation for work spanning furniture, lighting, objects, and installations. He has taught at prestigious institutions like the Royal College of Art in London and ECAL in Lausanne, earning international recognition through awards from Wallpaper*, Archiproducts, and Dezeen. With the Vite, he brings that same thoughtful, concept-driven approach to your morning coffee ritual, and honestly, your kitchen counter will never look the same.


The Vite is made from die-cast aluminum, which gives your espresso a rich, rounded, full-bodied flavor. That choice of material is not just aesthetic, as aluminum has long been favored in traditional Italian coffee making for exactly this reason. The boiler is shaped to echo the form of a screw, a nod not only to the name but also to the physical gesture of twisting or screwing the two halves of the device together to brew your perfect cup. It’s a rare case where the name, the form, and the function all tell exactly the same story.


The small flared base of the boiler mirrors the head of a screw, keeping the theme consistent from top to bottom. This section is crafted from thermoplastic resin, and the color variants were actually sampled directly from the machinery and tools inside the Alessi workshop, meaning what sits on your stovetop is literally a piece of Alessi’s factory floor translated into design. Available shades include Sage Green and Brown, among other workshop-inspired options. It’s a small detail, but it’s exactly the kind of thoughtful decision that Alessi collectors tend to fall in love with. If you’d prefer a cleaner, more minimalist look, there’s also an exclusive natural aluminum version available only on alessi.com and in select Alessi stores.


Beyond its striking looks, the Vite is impressively practical. It brews three cups of espresso at a time and is compatible with all types of cooktops, including induction. That’s a major win for anyone who has had to retire a beloved moka pot simply because of a kitchen upgrade. At just 17 cm tall and 10 cm in diameter, it’s compact enough to tuck away but distinctive enough that you’ll probably want to leave it on permanent display.


And that’s really what sets the Vite apart in a crowded market of coffee makers: it’s as much a collectible as it is an appliance. Alessi has always walked the line between industrial design and art, and the Vite is a near-perfect example of that philosophy in action. Whether you’re a design collector, a devoted espresso lover, or simply someone who believes your kitchen deserves beautiful things, this screw-shaped little brewer is worth every bit of the attention it’s getting. Sometimes, the best ideas really do come from the scrapyard, and this one just happens to make a really great cup of coffee too.

The post Alessi Just Built an Espresso Maker Shaped Like a Screw first appeared on Yanko Design.
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